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Galerie Blue Square is dedicated to celebrating the talents of artists inspired by the principles and philosophies of the Russian avant-garde. Further data were collected in order to determine children’s preferences for the musical selections. Children were asked to circle an icon representing whether they liked the piece, disliked the […]

Galerie Blue Square is dedicated to celebrating the talents of artists inspired by the principles and philosophies of the Russian avant-garde. Further data were collected in order to determine children’s preferences for the musical selections. Children were asked to circle an icon representing whether they liked the piece, disliked the piece, or thought it was ok. Frequencies of responses were categorized by piece. Results of a two way chi square test indicate there was a significant difference among children’s preferences across pieces, Χ2 (372,10) = 54.35, p <001. the="" happy="" tonal="" piece="" received="" the="" most="" "like"="" responses,="" whereas="" the="" sad="" atonal="" piece="" was="" clearly="" the="" least="" liked="" selection.="" responses="" to="" the="" other="" four="" selections="" (sad="" tonal,="" happy="" and="" sad="" jazz="" pieces,="" and="" happy="" atonal="" piece)="" were="" more="" evenly="" distributed="" across="" preference="" categories.="" morris,="" lynda.="" strata:="" paintings,="" drawing="" and="" prints="" at="" the="" royal="" college="" of="" art="" galleries.="" exh.="" cat.="" london,="" 1974.="" also="" published="" in="" studio="" international="" (february,="" 1974):="" 92.="" nicholson,="" j.m.,="" berthelsen,="" d.,="" abad,="" v.,="" williams,="" k.,="" &="" bradley,="" j.="" (2008).="" impact="" of="" music="" therapy="" to="" promote="" positive="" parenting="" and="" child="" development.="" journal="" of="" health="" psychology,="" 13(2),="" 226-238.="" from="" the="" tate="" museum's="" website:="" abstract="" expressionism="" is="" the="" term="" applied="" to="" new="" forms="" of="" abstract="" art="" developed="" by="" american="" painters="" such="" as="" jackson="" pollock,="" mark="" rothko="" and="" willem="" de="" kooning="" in="" the="" 1940s="" and="" 1950s.="" it="" is="" often="" characterized="" by="" gestural="" brush-strokes="" or="" mark-making,="" and="" the="" impression="" of="" spontaneity.="" tsiris,="" g.,="" dives,="" t.,="" &="" prince,="" g.="" (2014).="" music="" therapy:="" evaluation="" of="" staff="" perceptions="" at="" st="" christopher's="" hospice. european="" journal="" of="" palliative="" care,="" 21(2),="" 72-75.="" some="" regions="" have="" elected="" to="" use="" only="" natural="" ochre="" pigment="" paints="" while="" others="" have="" chosen="" to="" use="" acrylic="" paints="" within="" a="" certain="" preferred="" tonal="" range.="" many="" of="" the="" artists="" do="" their="" painting="" in="" shared="" working="" areas,="" so="" ideas="" and="" techniques="" are="" readily="" observed="" and="" shared="" across="" generations="" within="" families.="" you="" want="" to="" make="" it="" fun.="" you="" want="" to="" make="" it="" memorable.="" you="" want="" to="" make="" it="" crazy.="" face="" painting="" la="" brings="" interactive="" entertainment="" to="" your="" birthday="" party.="" we="" have="" the="" skill="" to="" paint="" any="" theme,="" and="" we="" are="" well="" accustomed="" to="" high-profile="" clientele.="" in="" the="" last="" few="" decades,="" the="" rapid="" development="" of="" electronic="" music="" technologies="" has="" changed="" the="" way="" society="" interacts="" with="" music,="" which="" in="" turn="" impacts="" the="" profession="" of="" music="" therapy.="" though="" a="" few="" instances="" can="" be="" found,="" music="" therapy="" has="" not="" extensively="" explored="" the="" integration="" of="" new="" technology="" into="" clinical="" practice.="" however,="" current="" research="" trends="" show="" a="" willingness="" and="" excitement="" to="" explore="" the="" possibilities="" (nagler,="" 2011;="" ramsey,="" 2011;="" magee="" et="" al.,="" 2011;="" magee="" &="" burland,="" 2008;="" magee="" 2006).="" the="" project="" described="" in="" this="" paper="" intends="" to="" demonstrate="" one="" of="" these="" possibilities="" by="" combining="" modern="" technologies="" to="" create="" an="" interactive="" musical="" system="" with="" practical="" applications="" in="" music="" therapy.="" in="" addition="" to="" designing="" a="" practical="" tool,="" the="" project="" aims="" to="" question="" the="" role="" of="" technology="" in="" music="" therapy="" and="" to="" provoke="" discussion="" on="" the="" scope="" of="" the="" definition="" of="" technology="" in="" music="" therapy.="" the="" happy="" tonal="" piece="" received="" the="" most="" "like"="" responses,="" whereas="" the="" sad="" atonal="" piece="" was="" clearly="" the="" least="" liked="" selection.="" responses="" to="" the="" other="" four="" selections="" (sad="" tonal,="" happy="" and="" sad="" jazz="" pieces,="" and="" happy="" atonal="" piece)="" were="" more="" evenly="" distributed="" across="" preference="" categories.="" morris,="" lynda.="" strata:="" paintings,="" drawing="" and="" prints="" at="" the="" royal="" college="" of="" art="" galleries.="" exh.="" cat.="" london,="" 1974.="" also="" published="" in="" studio="" international="" (february,="" 1974):="" 92.="" nicholson,="" j.m.,="" berthelsen,="" d.,="" abad,="" v.,="" williams,="" k.,="" &="" bradley,="" j.="" (2008).="" impact="" of="" music="" therapy="" to="" promote="" positive="" parenting="" and="" child="" development.="" journal="" of="" health="" psychology,="" 13(2),="" 226-238.="" from="" the="" tate="" museum's="" website:="" abstract="" expressionism="" is="" the="" term="" applied="" to="" new="" forms="" of="" abstract="" art="" developed="" by="" american="" painters="" such="" as="" jackson="" pollock,="" mark="" rothko="" and="" willem="" de="" kooning="" in="" the="" 1940s="" and="" 1950s.="" it="" is="" often="" characterized="" by="" gestural="" brush-strokes="" or="" mark-making,="" and="" the="" impression="" of="" spontaneity.="" tsiris,="" g.,="" dives,="" t.,="" &="" prince,="" g.="" (2014).="" music="" therapy:="" evaluation="" of="" staff="" perceptions="" at="" st="" christopher's="" hospice. european="" journal="" of="" palliative="" care,="" 21(2),="" 72-75.="" some="" regions="" have="" elected="" to="" use="" only="" natural="" ochre="" pigment="" paints="" while="" others="" have="" chosen="" to="" use="" acrylic="" paints="" within="" a="" certain="" preferred="" tonal="" range.="" many="" of="" the="" artists="" do="" their="" painting="" in="" shared="" working="" areas,="" so="" ideas="" and="" techniques="" are="" readily="" observed="" and="" shared="" across="" generations="" within="" families.="" you="" want="" to="" make="" it="" fun.="" you="" want="" to="" make="" it="" memorable.="" you="" want="" to="" make="" it="" crazy.="" face="" painting="" la="" brings="" interactive="" entertainment="" to="" your="" birthday="" party.="" we="" have="" the="" skill="" to="" paint="" any="" theme,="" and="" we="" are="" well="" accustomed="" to="" high-profile="" clientele.="" in="" the="" last="" few="" decades,="" the="" rapid="" development="" of="" electronic="" music="" technologies="" has="" changed="" the="" way="" society="" interacts="" with="" music,="" which="" in="" turn="" impacts="" the="" profession="" of="" music="" therapy.="" though="" a="" few="" instances="" can="" be="" found,="" music="" therapy="" has="" not="" extensively="" explored="" the="" integration="" of="" new="" technology="" into="" clinical="" practice.="" however,="" current="" research="" trends="" show="" a="" willingness="" and="" excitement="" to="" explore="" the="" possibilities="" (nagler,="" 2011;="" ramsey,="" 2011;="" magee="" et="" al.,="" 2011;="" magee="" &="" burland,="" 2008;="" magee="" 2006).="" the="" project="" described="" in="" this="" paper="" intends="" to="" demonstrate="" one="" of="" these="" possibilities="" by="" combining="" modern="" technologies="" to="" create="" an="" interactive="" musical="" system="" with="" practical="" applications="" in="" music="" therapy.="" in="" addition="" to="" designing="" a="" practical="" tool,="" the="" project="" aims="" to="" question="" the="" role="" of="" technology="" in="" music="" therapy="" and="" to="" provoke="" discussion="" on="" the="" scope="" of="" the="" definition="" of="" technology="" in="" music="">

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Founded in 1979, Modernism has since presented more than 450 exhibitions, both historical and contemporary, in media ranging from painting to photography, sculpture to performance, by an international roster of artists. Patil, M.C., Umarani, V.S., Kurbet, S.B., & Jha, A.K. (2014). Efficacy of music therapy in the reduction of requirement […]