American contemporary artist, Jasper Johns, Jr., was born on May 15, 1930, in Augusta, Georgia. Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY (organized in collaboration with the Whitney Museum of American Art, New York.). Abstract Expressionism: The Formative Years. 30 March – 14 May 1978. Traveled to the Seibu Museum of Art, Tokyo, 17 June – 12 July 1978; Whitney Museum of American Art, New York, 5 October – 3 December 1978. Catalogue with texts by Robert Carleton Hobbs and Gail Levin. Criqui, Jean-Pierre. Gang of Four.” Ellsworth Kelly at Ninety. Exh. cat. New York: Matthew Marks Gallery, 2013: 14-17. Tucker, Marcia. The Structure of Color. Exh. cat. New York: Whitney Museum of American Art, 1971. Unfortunately, more studies than I care to count will simply say, relaxing music,” giving no indication of what that actually means, or they may describe the music too vaguely. Same goes for stimulating music,” which could be anything from hair metal to dubstep. This all adds up to mean scanning technology such as PET, EEG, or fMRI will read very different brain activations from one study to the next, despite the studies claiming similar situations. I will discuss the myth of relaxing music in the next post in this series. is an online resource for all art enthusiasts. Art collectors, art travelers and artists will find our comprehensive online Gallery Guides and Museum Guides to be very useful. We feature guides for thirty-seven major art destinations as well as every state. Be sure to look at our Art Fairs Guide and our guides to Miami Art Week and New York Art Fairs and Los Angeles Art Fairs which are up online year around. Scumbling: Painting with very little pain ton the brush, to produce a feathery, uneven texture. Secondary Colours: Colours created by the combination of two primary colours: orange (red and yellow), green (blue and yellow), and purple (blue and red). Serigraphy: A printing process involving stencils and a screen; known as silk screening commercially. New from Nozkowski” (Max Protetch Gallery exhibition review). New York Observer, 8 March 2006. MARCH 14-APRIL 6: First exhibition of his sculptures in America is held at the 291” gallery in New York, organized by Steichen and selected by the artist with Steichen. Includes six bronzes, five plasters (probably including those of the first four Jeannette sculptures; pls. 127, 128, 138, 139), one terra-cotta, and twelve drawings. The show is attacked by the critics; none of the works is sold. Petzet, Michael, ed. 1973. Bayern Kunst und Kultur. Exh. cat. Munich: Stadtmuseum. Eight of the 12 groups created at least one product within the allotted time (see chart below). There were no similarities regarding number (2 versus 3 people), majors, or mixed or same sex groups. Characteristics of the remaining 4 groups (N=10 females) revealed no pattern for number in group or major. In fact, ontask percentages and ratings of these participants revealed little difference from the group’s measures (e.g., KORG enjoyment (M=6.5, SD=.71), electronic devices enjoyment (M=5.30, SD=1.33) and music therapy applicability (M=6.20, SD =.79).
Volume and Space: The hatched lines form dark and light areas which indicate a feeling of 3-D form. The space of the image is quite shallow with some depth indicated through the use of linear perspective in the shelves. Balance: The purse is centrally placed and is almost symmetrical. The symmetry is broken by the open part of the purse. Scale: The size of the art object is so much larger than the actual purse that it introduces an element of fantasy. Oil on canvas. 269.2 x 127 cm. Whitney Museum of American Art, New York. © 1998 Kate Rothko Prizel & Christopher Rothko ARS, NY and DACS, London. Seven Decades, 1895 – 1965: Crosscurrents in Modern Art (organized by the Public Education Association, New York). 16 April – 21 May 1966. Exhibition divided among New York galleries: Paul Rosenberg & Co., 1895 – 1904; M. Knoedler & Co., Inc., 1905 – 1914; Perls Galleries, E.V. Thaw & Co., 1915 – 1924; Saidenberg Gallery, 1925 – 1934; Pierre Matisse Gallery, 1935 – 1944; Andre Emmerich Gallery, Galleria Odyssia, 1945 – 1954; Cordier and Edstrom, Inc., 1955 – 1965. Catalogue with text by Peter Selz. Kern, P., & Humpal, M. (Eds.). (2012). Early Childhood Music Therapy and Autism Spectrum Disorders: Developing Potential in Young Children and Their Families. London: Jessica Kingsley. Children’s Birthday Parties, Summer Barbecues, Bubble Parties, Grown-up Parties, all kinds of themed parties, pamper parties, makeover parties, fancy dress parties, Christmas Parties, Halloween Parties, Weddings, anniversaries, company parties, Baby Showers, Christenings, Wedding Receptions, theatre, fetes, fairs, fun days, carnivals, festivals, sporting events, Bat- or Bar Mitzvah, Hen or Stag do’s, night clubs, shop openings, product launch, film premieres, Corporate Entertainment, Corporate Promotions, Exhibitions, Trade Shows, Corporate Hospitality, Photo Shoots, music videos, film, TV, small theatrical productions. Farnham, Emily. Hofmann: Abstraction as Plastic Expression and Notes Made in Hofmann’s Classes (includes artist’s statements). Provincetown, MA: E. Farnham, 1999. Davie was born in Toronto, Canada in 1965. She received her BFA degree from Queen’s University, Ontario and an MFA from the Rhode Island School of Design. Davie was the subject of a major retrospective at the Albright Knox Art Gallery, Buffalo in 2006. Other presentations of her work include: the Carles Taché Gallery, Barcelona (2018); the Rubell Family Collection, Miami, USA (2016-17); Smithsonian American Art Museum, Washington DC (2014); Diaz Contemporary, Toronto (2012-13); Seattle Art Museum (2012); Art Gallery of Ontario, Canada (2012); The Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2008); Museum of Modern Art, NY ( 1998). Davie has been a visiting lecturer at the Tyler School of Art, Temple University, Philadelphia and her work has been written about in publications including Painting Abstraction: New Elements in Abstract Painting, Art in America, Art Forum, ARTnews, MOMA Magazine, and Paper Magazine. She lives and works in Seattle.
Walentini, Joseph. Thomas Nozkowski.” Abstract Art Online, 1 March 2006. The Italians love to sing and with their famous tradition in Opera that comes as no surprise. But outside of their native land not many Italian Rock singers are that well known. So here is a selection of some of the best male solo artists that the country has produced. Painting Local Views and locally inspired subjects: If you have acquired the skill and ability to paint to a high standard, with attractive style, you are virtually certain to be able to sell LOCAL scenes in any area of outstanding beauty or visual interest. If you live in (or near to) a prime location, with a lot of seasonal visitors, there is a ready-made hungry market, and this is obviously something easily exploited by the savvy artist. Dileo, C., & Zanders, M. (2005). In-between: Music Therapy with Inpatients Awaiting a Heart Transplant. In C. Dileo & J. Loewy (Eds.), Music Therapy at the End of Life (pp. 65-76). Cherry Hill, NJ: Jeffrey Books. Chang, Y. H., Oh, T. H., Lee, J. W., Park, S. C., Seo, I. Y., Jeong, H. J., & Kwon, W. A. (2015). Listening to music during transrectal ultrasound-guided prostate biopsy decreases anxiety, pain and dissatisfaction in patients: A pilot randomized controlled trial. Urologia Internationalis, 94(3), 337-341. Artspace may make available the Artspace Auctions where sellers may offer goods for sale by auction to the highest bidder. Artspace is independent from the buyers and sellers that participate in the Artspace Auctions and no agency, partnership, joint venture, employee-employer or franchiser-franchisee or fiduciary relationship is intended or created by the operation of the Artspace Auctions. Artspace may, but is not obligated to provide intermediary services between the buyer and sellers using Artspace Auctions. Artspace reserves the right in its sole discretion and at any time including during an auction to refuse or revoke permission for sellers to offer goods or for buyers to submit bids. Salience – This occurs when music becomes the single most important activity in the person’s life and dominates their thinking (preoccupations and cognitive distortions), feelings (cravings) and behaviour (deterioration of socialised behaviour). For instance, even if the person is not actually listening to music they will be constantly thinking about the next time that they will be (i.e., a total preoccupation with music). Inada, M. (2007). From performer to container: A psychiatric group with a musically accomplished client. British Journal of Music Therapy, 21(2), 53-57.
Cohen, David. Gallery Going: The Painter’s Painter” (PaceWildenstein exhibition review). New York Sun, 10 April 2008: illustrated. 55 Ferris Street Show (exhibition catalogue). Text by Fredericke Taylor. Brooklyn, New York: 55 Ferris Street, 1992. Silverman, M.J. (2003). The influence of music on the symptoms of psychosis: A meta-analysis. Journal of Music Therapy, 40(1), 27-40. Thomas Nozkowski and R. Buckminster Fuller” (Max Protetch Gallery exhibition review). The New Yorker, 4 December 1995: 20-22. Hardeep Pandhal, a second-generation British citizen of Indian descent, has been tackling the theme of his South Asian identity whilst operating in the Western art world. A graduate of the Glasgow School of Art, Pandhal is taking part in the Colombo Art Biennale, which began on 3 December. This is his first international exhibition, and some of the works include drawings done in the style of satirical political cartoons, from the Resistance Through Rituals series, as well as a sock with a hand-knitted face made by his mother. This piece is titled Bhagat Singh Draught Excluder By Mum. In addition to Red Rag Gallery Archie Dunbar McIntosh paintings have been exhibited at a number of leading Scottish art galleries. All Archie Dunbar McIntosh art work from Red Rag is sourced from the artist studio. Each Archibald McIntosh painting from Red Rag is available for immediate delivery and can be shipped worldwide. The Museum of Modern Art, New York: The History and the Collection. Introduction by Sam Hunter. New York: Harry N. Abrams in association with The Museum of Modern Art, New York, 1984; reprint, 1997. Ornate necklaces for formal events and fun designs for parties and festivals. Reinventing Abstraction: New York painting in the 1980s (exhibition catalogue). Text by Raphael Rubinstein. New York: Cheim & Read, 2013: illustrated. String & Rope. Exh. cat. New York: Sidney Janis Gallery, 1970. Group singing produced higher measures of general health and quality of life in elderly, cancer survivors and caretakers of ill people. Gagosian Gallery, New York. Arshile Gorky: Portraits. 20 March – 27 April 2002. Catalogue with texts by David Anfam and Matthew Spender. Up until the late eighties Alma’s paintings were completed in gouache. After joining the Glasgow’s Southern Art Club she was encouraged to switch to oils and hasn’t looked back. Composition: Only the lower third of the picture is occupied (positive space), but the sky (unoccupied space) has been assigned great importance by its size. Line: Quite fuzzy. There is evenly weighted delineation. Colour: For the most part, the image is quite colourless (although it is textural). The accents of colour are strong enough to add interest but not to take over the image.
Kertess, Klaus. 00: Drawings 2000 at Barbara Gladstone Gallery. Exh. cat. New York: Barbara Gladstone Gallery, 2000: 50. Nicholls, T. (2002). ‘Could I Play a Different Role?’: Group Music Therapy with Severely Learning Disabled Adolescents. In A. Davies & E. Richards (Eds.), Music Therapy and Group Work: Sound Company (pp. 231-246). London: Jessica Kingsley. Rattemeyer, Christian. Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection. Exh. cat. New York: The Museum of Modern Art, 2009: 15-29, 80-81. An entirely different haiga , with a photograph, is based on a haiku by John Wills , a recently deceased American poet. I think it exemplifies how a haiga can be exponentially more than the sum of its parts. If you click on Wills’s name, you’ll see he wrote other haiku that may be more striking, but with Kuniharu’s excellent photograph, something new and wonderful comes into being. Tsiris, G. (2014). Community music therapy: Controversies, synergies and ways forward. International Journal of Community Music, 7(1), 3-9. This article is very educational, Martie. It’s packed with interesting information! I loved listening to the videos, especially the one about click sounds and the one that you created. They’re both fascinating. Thank you very much for sharing all the facts about the people of South Africa. Dietrich, C., Teut, M., Samwel, K.L., Narayanasamy, S., Rathapillil, T., & Thathews, G. (2015). Treating Palliative Care Patients with Pain with the Body Tambura: a prospective case study at St. Joseph’s Hospice for Dying destitute in Dindigul South India. Indian Journal of Palliative Care, 21(2), 236-241. Cassidy, J.W., & Standley, J.M. (1995). The effect of music listening on physiological responses of premature infants in the NICU. Journal of Music Therapy, 32(4), 208-227. Bekaert enjoyed about 15 exhibitions at Vorpal, in both New York City and San Franscisco, as well as many others in Germany, Belgium Holland and Paris. His preponderant commercial market is in the US. Anderson, Harry W. and Mary Margret Anderson. The Anderson Collection at Quadrus. Exh. cat. Menlo Park: Anderson Art Collection, 1988. London & South-East based face painter, glitter, hair braider and body artist for special occasions, festivals, parties and any other kind of event! I’ve worked with Marvel, Lovebox to. Vincent van Gogh is not only hugely popular for the obvious reason that he wasn’t exactly colour blind, it is also as if you can read into them whatever you want to see without being punished for limiting the art or yourself. The complexity of the artist’s personality is communicating to spectators of all times through his art. He is positioned in the post-impressionism era, which represented the frontier between two huge cycles in the history of world art culture, i.e. modern and contemporary art. “Van Gogh was one of the last representatives of the previous art cycle, and the first among those who the future belonged to”, says art critic Alla Narovskaya from Belarus.