The 20th century European Modernist, Figurative artist, Mark Zakharovich Shagal, or Marc Chagall was born Moshe Shagal on July 7, 1887 in Vitebsk, Belarus, the then part of the Russian Federation. Listening to calming music releases chemicals in the body that can relieve pain, minimize stress and reduce healing time in patients. The Greenberg Gallery. Exh. cat. St. Louis: The Greenberg Gallery, 1974. The Planeographic (Lithographic) Printing Process Lithography The print design is made by drawing with a grease crayon or pencil on a surface that has an affinity for both grease and water. In this process there is no cutting of the surface. Pressing paper against the surface produces a print. Monoprint The print is made by pressing paper on an inked plate and drawing on the paper surface with a blunt instrument which picks up ink on the face-down side; or by inking only some areas of the plate in a design which is picked up by paper pressed down on the surface. Only one good print can be obtained. 1. Lift-drawing. Ink the surface of the plate evenly. Gently place a sheet of paper on the surface so that it does not pick up the ink. With a blunt instrument, draw the design on the paper surface, exerting enough pressure to pick up ink on the reverse side. Bunnell, T. (2007). Music Makes a Difference: A Practical Guide to Developing Music Sessions with People with Learning Disabilities. Keswick: M&K Update. Nael Hanna is the recipient of many art prizes and awards. Over the years his paintings have been exhibited regularly at the RGI, RSA, SSA and SAAC and he has had numerous solo shows. His paintings are instantly recognisable and distinctive with rich texture and a unique colour palate. He paints with vigour and there is an immediacy in his paintings which is extremely stimulating to the viewer, whether it is a Scottish coastal scene or a vibrant still life. The Department of Education would also like to thank the following artists and artists’ representatives who gave permission to photograph and duplicate their work, and in some cases lent original transparencies for duplication: Anne Meredith Barry, Martin Barter, Louise Belbin, Bruno Bobak, Gerard Brander a Brandis, Jennifer Browne, Sid Butt, Martha Cahen-Egglefield, Dik Campbell, Joe Carter, Evelyn Chaffey, Donna Clouston, Wendy Coombs, Mary M. Craig, Marlene Creates, Greg Curnoe, Diana Dabinett, Alistair Drysdale, Kosso Eloul, Joe Fafard, Murray Favro, Keith Fillier, Conrad Furey, Nancy Graves, Patricia and Earl Green, Maureen Greene, Scott Goudie, Pam Hall, Gilbert Hays, Patricia Holland, Ilse Hughes, Miranda Jones, Denis Juneau, Jacob Kennedy, Kathleen Knowling, Marilyn Koop, Frank Lapointe, Jean Paul Lemieux, Colleen Lynch, Ray Mackie, Colin Macnee, Jack Mahaney, Shelly McCoy, Margie McDonald, Dawn McNutt, Bridgette Meaney, David Milne, Stewart Montgomerie, John Morris, Emily Mussells, Toni Onley, Danielle Ouellet, Katie Parnham, Paul Parsons, Alfred Pellan, Mavis Penney, Rae Perlin, Julia Pickard, Heahter Pocius, Suzie Pottle, William Ritchie, Bill Rose, W. Ryan, Henry Saxe, Bunty Severs, John Sharpe, Michael Snow, Sarah Spence, Shawn Steffler, Suzanne Swannie, David Thauberger, Jacques de Tonnancour, Harold Town, Sharon Trueman, Janice Udell, Anthony White – deceased, Jon Wilkinson, William J. Williams, Susan Wood, Don Wright, and Israel Young.
Rose, Barbara. Hans Hofmann: From Expressionism to Abstraction†(includes artist’s statements). Arts Magazine 53, no. 3 (November 1978): pp. 110-14. Wasserman, Emily. New York… Ellsworth Kelly, Sidney Janis Gallery.†Artforum vol. 7, no. 4 (December, 1968): 56-58. Hooper, J., McManus, A., & McIntyre, A. (2004). Exploring the link between music therapy and sensory integration: An individual case study. British Journal of Music Therapy, 18(1), 15-23. I’m walking at vegetable market and see a tasty sweet pepper for soup; I see a nice still life painting. Also, like the answer to the previous question, one may only see some cracks in the tiles, I may see a painting. So, my mission is to reveal the beauty there where no other eye sees it but the artist’s eye does. Audsley, George Ashdown. The Art of Organ Building. 2 vols. 1905. Reprint, 2 vols. in 1, New York: Dover Publications, 1964. The valence of music may also be a factor determining the effect it has on the brain. An impact of positively and negatively valenced sounds (e.g., consonant and dissonant chords) was described in a study, which investigated seven patients with intracranial electrodes implanted for presurgical evaluation. Results revealed an increase in the power of low frequency brainwaves in the auditory cortex and, later, a more gradual increase in theta and alpha power in the amygdalae and orbitofrontal cortex, which seem to be important for a higher analysis of music. Also, three subjects saw greater power in alpha, theta and low beta waves in the orbitofrontal cortex while listening to consonant rather than dissonant sounds. No changes in brainwave patterns in the amygdalae were seen when comparing dissonant and consonant sounds This effect is also seen in another study, which shows that positively valenced pieces of music tend to elicit a greater theta power in mid-frontal electrodes than do negatively valenced pieces. Furthermore, this effect increases towards the end of a piece of music. According to the authors, this theta activity is connected not only to attentional but also to emotional functions. Patel, R., Suresh, V., & Ravindra, H. N. (2015). A study to evaluate the effects of music therapy on depression among cancer patient admitted in selected cancer hospitals at Vadodara. International Journal of Psychiatric Nursing, 1(1), 115-120. Belgian artist Alfred Bastien (1873-1955) volunteered as a war artist in 1915, working initially with Belgian troops, then, from 1917, with the Canadian troops at Arras and Paschendaele. His painting of Canadian gunners struggling through mud, is now part of the Beaverbrook collection in the Canadian War Museum. Bastien’s loose, Impressionistic style of painting powerfullly evokes the hostile environment and the skillful determination of desparate men as they battle nature itself to free their heavy artillery from the mire.
Afflicted by boredom and disheartenment at the existing forms of painting, Jean Arp devoted his initial years to poetry. In 1904, he published his first collection of poetries in Paris after passing out of Ecole des Arts et Metiers, Strasbourg. Later on, he took genuine initiative to re-discover his long lost interest in painting and sculpting. During 1905 to 1907, he studied at Kunstschule, Weimar, and in the year 1908, at Academie Julian. In 1909, Jean Arp shifted to Switzerland and organized an exhibition at Lucerne, under the label “Moderner Bund,” in 1911. The subsequent year, he happened to meet Robert & Sonia Delaunay in Paris and Russian artist, Vasily Kandinsky in Munich. In 1912, Jean Arp displayed his semi-figurative drawings at the second Blaue Reiter exhibition, and in 1913, he exhibited them with the ‘Expressionists’ in Berlin at the Erste deutsche Herbstsalon exhibition. Coined in 1983 by French composer François-Bernard Mâche, zoömusicology studies the musical aspects of animal sounds. According to Mâche, If it turns out that music is a widespread phenomenon in several living species apart from man, this will very much call into question the definition of music, and more widely that of man and his culture, as well as the idea we have of the animal itselfâ€. I suggest a provisional definition: zoömusicology is the human valorization and analysis of the aesthetic qualities of non-human animal sounds. The musical quality of a tone, sounding higher or lower based on the frequency of its sound waves. Chlan, L.L., Weinert, C.R., Heiderscheit, A., Tracy, M.F., Skaar, D.J., Guttormson, J.L., & Savik, K. (2013). Effects of patient-directed music intervention on anxiety and sedative exposure in critically ill patients receiving mechanical ventilatory support: A randomized clinical trial patient-directed music intervention. JAMA, 309(22), 2335-2344. Singh, M., & Agarkar, A. (2013). Effect of music therapy on aggressive behavior of children. Journal of Innovative Research and Solutions (JIRAS), 1(1), 20-26. Henry Alken was born in London on 12 October 1785. He came from a family of artists, and he studied primarily under his father, Samuel Alken, and subsequently with the miniaturist, John Thomas Barber Beaumont. Linear Perspective: Using lines to create the illusion of a three-dimensional space on a twodimensional surface. Nasgaard, Roald. Selections from the Roger and Myra Davidson Collection. Exh. cat. Toronto: Art Gallery of Ontario, 1986. This Logan Square arts organization sets its sights on providing a home for artists working in all mediums. On any given night, you’re likely to find a group of musicians playing improvised music in the space, a display of visual art or a collection of local artists presenting a workshop.
