The history of art can be traced back to cave paintings of about 15000 BC. nightbeam;I’m guessing some of these artists are using these techniques as a hook or gimmick to get ‘s a very competitive field and they probably feel that their techniques are valid as long as they get the notoriety which equals sales. Procter, S. (2011). Reparative musicing: Thinking on the usefulness of social capital theory within music therapy. Nordic Journal of Music Therapy, 20(3), 242-262. Master Drawings 1918-1985. Exh. cat. Houston: Janie C. Lee Gallery, 1986. Rosenblum, Robert. Green on Greene. Exh. cat. New York: Sperone Westwater, 2001. Oliveros, P., Miller, L., Heyen, J., Siddall, G., & Hazard, S. (2011). A musical improvisation interface for people with severe physical disabilities. Music and Medicine, 3(3), 172-181. Among the early supporters of the newly formed department were Polly and Mark Addison, who joined other enthusiasts to found the Alliance for Contemporary Art (now named DAM Contemporaries) in 1978, a group whose fundraising activities have helped the department underwrite many important purchases and programs. In the early 2000s, the Denver Art Museum’s acquisition efforts were enhanced when the Addisons initiated an active gift-giving program. Colorado residents and long-time museum supporters, the Addisons are passionate, intelligent collectors of contemporary art in all media who generously share their finds—from time-based work and sculpture to installation art and photography—with the museum. Audience favorites such as Jim Green’s Singing Sinks and Charles Sandison’s Chamber (conceived of and installed for the exhibitions Embrace! and Blink! Light, Sound and the Moving Image) are among the many important works the Addisons’ support has brought to the museum. Ong Hai Liaw, J. (2013). Auditory stimulus for children with high functioning autism: Towards reducing developmental disorders and inattentive attitudes. Australian Journal of Basic and Applied Sciences, 7(4), 676-682. K. Talwar and Kalyan Krishna, Indian Pigment Paintings on Cloth, vol. 3 of Historic Textiles of India at the Calico Museum (Ahmedabad: Calico Museum of Textiles, 1979). University of Maryland Art Gallery, Department of Art, University of Maryland, College Park. The Private Collection of Martha Jackson. 22 June – 30 September 1973. Traveled to Finch College Museum of Art, New York, 16 October – 25 November 1973; Albright-Knox Art Gallery, Buffalo, NY, New York, 8 January – 10 February 1974. Catalogue with texts by David Anderson, Adelyn Breeskin and Elayne H. Varian. Rykov, M., Cohen, R., Leis, A., MacDonald, M.E., Pringle, A., Cadrin, M.L., Salmond, D., & Weeks, V. (2008). Palliative care music therapy: Insights from patients, family and staff. Journal of Palliative Care, 24(3), 199-200.