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Robert Motherwell was a young American ‘Abstract Expressionist’ painter, printer, collage maker, and author. The exterior edges show the wooden structure which underlies the quillwork. A variety of traditional design motifs including star patterns, circles, moose, flora, fauna, and waves cover the surface. The overall design is symmetrical. Colours are generally cool except for a few areas of earth tones. Forms: The repeated geometric forms are identical in size, shape, colour, and texture. The forms are dramatized by light which falls on them. Movement: The non-stable appearance of the forms, as if they were caught in a moment of incomplete action, creates tension. Rose, Barbara translated by Elisabeth Jappe. Ellsworth Kelly: Der scharf eingestellte Blick.â€ Ellsworth Kelly: GemÃ¤lde und Skulpturen 1966-1979. Exh. cat. Baden-Baden: Staatliche Kunsthalle Baden-Baden, 1980: 7-36. Metell, M., & Stige, B. (2015). Blind spots in music therapy. Toward a critical notion of participation in context of children with visual impairment.Â Nordic Journal of Music Therapy, Advance online publication. 1-19. Abstract Art uses a visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. The artist applied the paint fairly thinly (the canvas surface is evident in some places). She used very small brushes to create the fine detail. Painter. AÂ German American, Hofmann was aÂ leading Abstract Expressionist painter and was considered to be one of the greatest twentieth century teachers. He directed his own school in Munich and taught at both the University of California at Berkeley and his own school in New York. Hofmann’s talent was recognized in retrospectives at the Baltimore Museum of Art (1954), the Whitney Museum of Art (1957), and the Museum of Modern Art (1963). Halkin, Talya. Gallery-Goingâ€ (New York Studio School exhibition review). New York Sun, 23 January 2003: illustrated. Built in the early 1900s, this small building in Logan Square used to be a place where trolly riders could stop to rest during their journey. Logan Square Preservation took the building over in 2010, turning it into a community art space. Comfort Station regularly hosts art exhibitions, live music and film screenings while providing a public meeting place for neighborhood residents of all ages. Eaton, Nicole D., Sam Hunter and Joseph Ketner et al. A Conversation with Sam Hunter and Joseph D. Ketner.â€ A Defining Generation: Then and Now, 1961 and 2001. Waltham, Massachuetts: The Rose Art Museum, Brandeis University, 2001: 61-72. Examining how and why artists investigated the expressive capacities of line, color, and texture, Taking Shape highlights a number of abstract movements that developed in North Africa and West Asia, as well as the Arab diaspora. Across these regions, individual artists and artist collectives grappled with issues of authenticity, national and regional identity, and the decolonization of culture. Drawn from the collection of the Barjeel Art Foundation based in Sharjah, United Arab Emirates, the exhibition features nearly 90 works by a diverse group of artists such as Etel Adnan, Shakir Hassan Al Said, Kamal Boullata, Huguette Caland, Ahmed Cherkaoui, Saloua Raouda Choucair, Rachid KoraÃ¯chi, Mohamed Melehi, and Hassan Sharif, among others. On view are works produced by artists from countries including Algeria, Egypt, Iraq, Jordan, Kuwait, Lebanon, Morocco, Palestine, Qatar, Sudan, Syria, Tunisia, and United Arab Emirates. Curated and organized by Suheyla Takesh, Curator at the Barjeel Art Foundation, and Lynn Gumpert, Director of the Grey Art Gallery at New York University, the exhibition will be on view from January 14 through April 4, 2020.