“Confinamiento” (2019), Cheste, Valencia, Spain. All images © Mohamed L’Ghacham, shared with permission

Whether depicting a birthday party or a child’s first steps, the expressive murals by Mohamed L’Ghacham (previously) enlarge sincere, unposed moments into monumental celebrations of everyday life. The Moroccan artist recreates vintage photographs as wall-sized artworks in locations across Europe that portray a woman readying for bed or the chaotic minutes before a family portrait at a massive scale.

L’Ghacham tells Colossal that his relationship to the original images has evolved in recent years from a simple juxtaposition of the site and the quiet, unassuming beauty of the domestic scenes to a more complex understanding. “Those first murals were done in abandoned, demolished places or simply on the outskirts of cities and public spaces. The impact of seeing an image of this type painted with a technique closer to classical painting than graffiti in such spaces created … Read the rest

All photos © Henri Calderon for Colossal

Nearly 500 meters of small, red hearts will soon cover an expanse of concrete facing the River Thames in London. Now dubbed the National COVID Memorial Wall, the poignant display publicly commemorates the 150,000 lives lost to the coronavirus pandemic in the United Kingdom so far. Each heart represents one victim, with short messages of grief, love, and remembrance scribed by loved ones in their centers. It takes about ten minutes to walk by the entirety of the project, which serves as a staggering reminder of the virus’s devastation.

Coordinated by COVID-19 Bereaved Families For Justice, the two-meter-high wall is situated between the Westminster and Lambeth bridges, opposite the Houses of Parliament. According to The Guardian, Matt Fowler helms the ongoing project, which he began a few weeks ago by painting 15,000 hearts on the facade. His father died from the virus … Read the rest

All images © Thames & Hudson, shared with permission

Prior to the proliferation of photography-based reference guides, naturalists and scientists relied on elaborate taxonomic descriptions to identify flora and fauna. One of those invaluable materials was Werner’s Nomenclature of Colours, a universal catalog originally arranged by German geologist Abraham Gottlob Werner in 1814 and updated with more detail by Patrick Syme just a few years later.

The rich volume, which was the preeminent guide for artists, zoologists, botanists, and others working with pigments and the natural world throughout the 19th Century, is filled with hundreds of simple swatches and notes on where the various shades can be found around the globe. The head of a golden pheasant, for example, is King’s Yellow, while Hepatica flowers are Berlin Blue and some speckles in iron ore are Greyish Blue.

A forthcoming volume published by Princeton University Press celebrates the 200th anniversary … Read the rest

Now inhabiting the verdant, 250-acre campus of the New York Botanical Garden are oversized flowers sprouting in seasonal arrangements, a glowing pumpkin-packed infinity room, and a sea of 1,400 reflective spheres by Yayoi Kusama (previously). Teeming with squiggly sculptures, site-specific installations, and smaller pieces covered in the Japanese artist’s iconic polka dots, Cosmic Nature is an expansive exhibition celebrating decades of Kusama’s bold, joyful body of work.

Four new pieces are debuting during the immersive show, like the tentacled creature that marks the entrance to the grounds. Others include a 16-foot-tall dancing pumpkin, an obliteration greenhouse, and a new infinity room that reflects the lush greenery of the outdoor environment. Coupled with a variety of smaller acrylic paintings, fabric sculptures, and drawings on paper—the earliest of which dates back to 1945— the most recent works establish a broad visual trajectory of Kusama’s fixation on the natural world and never-ending penchant … Read the rest

“The Lesson” (2020), oil on canvas, 130 x 170 centimeters. All images © Paco Pomet, shared with permission

In Beginnings, Spanish artist Paco Pomet (previously) visualizes a series of jarring and absurd scenarios born out of an equally concerning event. He juxtaposes disparate elements—a mushroom cloud erupting in a classroom, women cavalierly poking at a tabletop sunrise, a mountain range lying on an operating table—in a series of satirical commentaries infused with pop culture references and nods to art history.

Generally contrasting a black-and-white scene with a recurring, full-color sunrise or sunset, Pomet’s compositions merge time periods and situations to mark the start of a new reality, a broad theme tied to the current moment. “Romanticism with a twist of irony is a very powerful visual engine,” he says about the series.

If you’re in Santa Monica, Beginnings is on view through May 8 at Richard Heller Gallery. Otherwise, … Read the rest

All images © Gésine Hackenberg, shared with permission

From her studio in Amsterdam, Gésine Hackenberg (previously) punches perfectly round discs from Delftware and antique ceramic dishes. The ornate, pearl-like forms are then strung together into necklaces or secured into metal bands for rings and earrings. Juxtaposing the old and new, the completed wearables are positioned alongside the original dinnerware to draw connections between the domestic objects and personal adornments that are ubiquitous in everyday life.

The ongoing collection—which Hackenberg says was inspired by her grandmother’s pearl necklaces and massive cabinet of porcelain dishes—evidences what the designer sees as “a certain kinship” between what’s worn on the body and the pieces that decorate and sustain a living space. She says:

What one keeps and owns, often contains an emotional meaning next to its practical function or worth. Possessions, especially personal treasures, define and represent their owner. Jewelry is in particular an

Read the rest



What insect has the ability to extend down into the nearly foot-long nectar tube of the ghost orchid? For generations, that question has interested researchers who’ve speculated that the giant sphinx moth, which has a proboscis that often exceeds 10 inches, was one of few species with a tubular tongue that could reach the sticky pollen nestled inside the endangered flower.

Shot during the course of three years, a short documentary by Grizzly Creek Films follows researchers committed to proving this hypothesis. It draws on Charles Darwin’s 160-year-old studies about orchids’ evolution, particularly in relation to one species in Madagascar about which he famously said, “Good heavens. What insect could suck it?” In  “Chasing Ghosts,” the team wades into the buggy swamplands of south Florida alongside snakes and alligators to reach a grove of cypress trees, where the white flowers wrap themselves high among the boughs. There they installed … Read the rest

“Purple Mountain” (2020), oil on wood panel, 48 x 36 inches. All images © Seth Armstrong, shared with permission

“Color and light are basically all I think about when I’m painting,” says Seth Armstrong. Working with oil paints on wood, the Los Angeles-based artist renders the sloping hills of his native California county in bold, saturated tones. Depicting the staggered houses and vegetation in the glow of golden hour or just after sunrise, Armstrong balances both hyperrealism and more sweeping, gestural strokes. He includes the occasional candy-colored hue to veil the densely populated landscape—the artist notes that small details can be difficult to perceive when not viewing the works in person—with a layer of magic. “The paintings do become, for me, more than a depiction of light and color,” he writes. “But that’s a personal relationship we have.”

A limited-edition print of “Purple Mountain” releases on April 12 through Unit … Read the rest

All images © Naoki Onogawa, shared with permission

Using just his hands, Tokyo-based artist Naoki Onogawa folds scores of origami cranes with wingspans that never top a single centimeter. He then fastens the minuscule birds to asymmetric tree forms, creating bonsai-like sculptures engulfed by hundreds of the monochromatic paper creatures.

Onogawa tells Colossal that he began crafting the tiny birds following the 2011 Great East Japan Earthquake that devastated parts of southern Hokkaido and Tohoku, which the artist visited the next year. As he walked around the city of Rikuzen Takata, he spotted 1,000 paper cranes at the site of a school demolished by the tsunami. “I found myself in terror of how powerless we humans are in the face of nature’s wonder; yet at the same time, I felt empowered by the power of life, vitality, that shined so brightly in the aftermath of its wrath,” Onogawa says. He … Read the rest

“A Canopy of Cherry Blossoms,” 2021 by Han Cao

Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.

 

Open Calls

Chicago Botanic Garden Call for Artists with $5k to $40k for Commissions Featured
The Chicago Botanic Garden will celebrate its 50th anniversary in 2022. A series of public programs and art experiences will celebrate the Garden’s remarkable growth and will establish the tone for the next decade. The Garden is seeking Statements of Interest from artists for sculptures, installations, and experiences.
Deadline: April 12, 2021.

SUNY Oswego Outdoor Sculpture Initiative
SUNY Oswego seeks proposals for outdoor sculptures for the school’s main campus. Seven artists will be chosen to install artworks in a centrally located lawn area adjacent … Read the rest