Leonardo da Vinci’s “Portrait of Lisa Gherardini” known as La Joconde or Monna Lisa, the 1st quarter of the 16th century (1503-1518)
The Louvre just launched a new online database compiling more than 480,000 artworks from its collections and those at the Musée National Eugène-Delacroix and The Tuileries Garden. Spanning Egyptian antiquities and medieval sculpture to Renaissance and modern decorative arts, the free digital catalog includes works on long-term loan and is complete with an interactive map to pursue each room of the French institution. Some pieces are grouped into albums, including one collating 2020’s acquisitions and another dedicated to the National Museums Recovery, a collection of works gathered after World War II that’s being held by the Louvre until they’re claimed by their rightful beneficiaries. Dive into the entire archive, which is updated daily, on the museum’s site.
Brick panel from Achaemenid: Darius I (circa 510 BC) (-522
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“Persian Kangaroo.” All images © Debbie Lawson, shared with permission
A new menagerie of polar bears, stags, and kangaroos resemble typical wildlife except for the fact that they’re literally swept under the carpet, their features hidden from view. These towering sculptural forms are by artist Debbie Lawson (previously), who crafts animals that are cloaked in sweeping Persian rugs. Rather than being camouflaged by a forest, jungle, or snow-covered Arctic, Lawson’s creatures boldly protrude from the fabric and loom over the viewer.
In her process, Lawson sculpts the animals from a combination of chicken wire and masking tape. She then layers luscious carpets across them, creating the illusion that these animals are about to jump, walk, and prance out of the fabric. This method is derived from what Lawson describes as her ability to spot hidden images in floors, textured walls, and various patterns, an interest that’s mirrored in her perspective-altering … Read the rest
Detail of “Liquid Sunshine/I am a Pluviophile” (2019), glass, phosphorescent material, broad-spectrum UV lights, motion detector, 3,353 x 4,267 x 3,658 millimeters as installation. Photo by Yasushi Ichikawa, 33rd Rakow Commission, courtesy of The Corning Museum of Glass. All images © Rui Sasaki, shared with permission
Approach the delicate glass artworks by Rui Sasaki, and witness the unpredictable patterns of the weather through a sublte glow of blue light. The Japanese artist’s experiential body of work translates varying forecasts into speckled sculptures that radiate once encountered, an intimate process that Sasaki describes as a way to “visualize subtle sunshine, record today’s weather, and transfer it from here to there/from there to here.”
At their brightest, the phosphorescent crystals are tinged green before fading to blue. “Visitors will doubtless be surprised to find that even if they cannot see anything on first entering the gallery, stay long enough and their eyes … Read the rest
Installation view of “Sakura Shibefuru” (2021), salt, at Setouchi City Art Museum. All images © Motoi Yamamoto, shared with permission
Sprawling across a bright red floor at Setouchi City Art Museum is Motoi Yamamoto’s sweeping installation of 100,000 cherry blossoms. Using a small, petal stencil and poured salt, the Kanazawa-based artist meticulously laid a mass of mineral-based buds during the course of 55 hours and nine days. Constructed radially, “Sakura Shibefuru,” or “Falling Cherry Petals” mimics the natural patterns formed around trees after the blossoms drop and end their life cycle each spring, a process Yamamoto (previously) says informed much of the work:
When the red-purple buds fall, for many people, this is also the time when they lose interest due to the flower season being over. However, this time can also be seen as a small nudge to think about the coming fresh greens of spring and midsummer…While thinking
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All images © Alexandra Kehayoglou, shared with permission
Designer Alexandra Kehayoglou (previously) creates exquisite pieces of flowing textiles that reference the rugged landscapes of her homeland, Argentina. In the creation of each tapestry, Kehayoglou transforms surplus carpet fabric into natural elements that range from a spectrum of Earth-colored mosses to clusters of trees and serpentine rivers that cut through the heart of her weaves. Entwined within each piece are fragments of the artist’s own memories, including witnessing waterways slowly recede and the alterations to Argentina’s grasslands.
Her latest works, a series called Prayer Rugs, depict animal footprints and small vegetative features of the Parana Wetlands located 50 kilometers from Buenos Aires. In recent years, the region’s biodiversity has been decimated by the wood and paper industries, which have facilitated the growth of non-native plant species that have since spread out of control. Additionally, human-made fires wreaked havoc during 2020, … Read the rest
In Parable of Gravity, artist Casey Curran (previously) assembles a vast garden of delicate kinetic blossoms amidst an expanse of deterioration. The sweeping landscape, which is on view at Seattle’s MadArt through April 17, positions Curran’s pulsing plant forms atop 20 towers of wooden scaffolding that line the gallery space. Coated in a thick layer of mud, the tallest structures scale eight feet at the outer edge of the installation, where a human-like figure appears to hover in the air. The anonymous body is covered in the flowers, which are made from laser-cut polyester drawing papers and powered by cranks and small motors.
Through the maze of garden plots at the other end of the space hangs a hollow, aluminum asteroid—which is modeled after 951 Gaspra, the first rocky mass humans were able to observe in detail thanks to a 1991 viewing by the Galileo spacecraft. Titled “Anchor of … Read the rest
Left: February 8, 1984. Right: January 6, 2013. All images © Nancy Floyd, courtesy of Gost, shared with permission
For four decades, Nancy Floyd has fostered a routine around confronting aging directly. Every day since 1982, the Oregon-based photographer has taken a portrait of herself perched on a chair in her living room, standing on the front porch, or posing wherever she’s spending the day for her series, Weathering Time. A forthcoming volume published by Gost compiles thousands of these images in a visceral rumination on what changes as we age.
Each black-and-white photograph frames a posed Floyd, who continually exudes a calm, laid-back temperament, and chronicles the way time impacts her body, relationships, and environment, honing in on her experience as a woman in the United States. Although the images are profoundly intimate and personal—many show her pets, stints in hospitals, and her parents aging—they simultaneously broach the … Read the rest
“XXXX Swatchbook” (2010-2016), 180 x 210 millimeters. All images © Evelin Kasikov, shared with permission
In “XXXX Swatchbook,” Evelin Kasikov (previously) explores all of the variables of CMYK printing without a single drop of ink. She catalogs primary, secondary, and tertiary colors, two-dozen combinations showing how rotation affects the final pigment, and a full spectrum of rich gradients. In total, the printing-focused book is comprised of four base tones, 16 elements, and 400 swatches of color entirely hand-embroidered in 219,647 stitches.
The original idea came from Kasikov’s desire for a reference tool, one similar to loose sheets of Pantone swatches, that she could share with potential book design clients interested in CMYK embroidery. During the next six years, though, the project evolved into the uniquely comprehensive artist book it is now.
“XXXX Swatchbook” features three-dimensional color studies in the style of precisely arranged halftone dots employed in four-color printing. “I … Read the rest
“La Ferita” (2021), 28 x 33 meters, Palazzo Strozzi, Florence. Image courtesy of Fondazione Palazzo Strozzi, shared with permission
French artist JR unveiled an imposing artwork at Palazzo Strozzi in Florence last week that mimics a massive gash in the institution’s Renaissance-era facade. Spanning 28 x 33 meters, “La Ferita,” or “The Wound,” is an anamorphic collage that appears to reveal the iconic artworks housed inside the building, in addition to a stately courtyard colonnade, exhibition hall, and library. Exposing different parts of the interior as the viewer shifts position, the artwork is in response to the lack of accessibility at cultural institutions since the onset of the COVID-19 pandemic.
Completed alongside a team of 11 in two months, the site-specific piece was constructed 30 centimeters in front of the 15th Century ashlar facade with a metal structure and 80 panels of Dibond aluminum. It features JR’s signature photographic style—similar … Read the rest
All images © Canopic Studio, shared with permission
Disembodied faces and fingers encircle the surreal vessels created by Canopic Studio, a Los Angeles-based practice helmed by Claire and Curran Wedner. Known for their ceramics that display human anatomy in a repetitious pattern, the husband and wife recently diverged from the black-and-white works previously mentioned on Colossal to create a series entirely in celadon, a jade color with a rich history.
The translucent glaze originated in China and was prominent throughout the country for centuries before being replaced by blue-and-white porcelain. It’s traditionally made with a bit of iron oxide—too little creates a blue color, while too much produces a darker olive or black—and then fired in a reducing kiln at a high temperature.
Curran says he first experimented with the glaze in 2004 as part of a ceramics class and returned to it now after researching cone 10 gas firing … Read the rest