Expressionism

A restituted Gothic painting of the Madonna and Child by 14th-century Italian painter Jacopo di Cione will head to auction in New York at the end of the month as part of a settlement agreement between the estate of its late owner and the heir to the work’s previous owner.

Sotheby’s will auction the di Cione painting, which comes from collection of Hester Diamond, the late New York art patron and interior designer who died last January, on January 29 as part of its Masters Week, in which the house offers a series of sales of Old Masters art and antiquities. The work is expected to fetch between $300,000–$500,000. The painting’s sale comes after a legal agreement was reached with the Diamond estate and heir of August Liebmann Mayer, a prominent German Jewish art historian and curator who was killed at Auschwitz in 1944.

A specialist in Spanish … Read the rest

Epic scenes of the kind featured in paintings of battles, coronations, and other major historical events are not the specialty of Nick Quijano, an artist based in Puerto Rico, with an online exhibition hosted by Fort Gansevoort devoted to works geared toward intimate scenes of everyday life around his home in Old San Juan.

“I’m not into the big stories of history painting,” Quijano said in a Zoom interview from his studio last month. “I’m into the little stories—I want to appeal to the intimacy of feeling and to the heart.”

Quijano began the series of paintings in the show in 1980 and has been “doing scenes of Puerto Rico ever since,” he said. “I haven’t stopped because I still relate to them.”

Some of Quijano’s pieces draw from his childhood memories. In Cumpleaños con Brownie y Nilka (1956), completed in 2020, a young boy wearing a blue … Read the rest

Interest in the Old Masters category of collecting has seen a resurgence in the past few years as auction houses have learned that there are indeed people willing to pay prices for vintage masterpieces akin to dollar amounts going to contemporary art—the more-expensive collecting category over the past two decades or so.

But who exactly are the buyers of some of these historically important artworks? That’s the premise of My Rembrandt, a new documentary directed by Oeke Hoogendijk that aims to tell the stories of some of some of the people who own work by the ultimate 17th-century Dutch Golden Age master.

The film begins inside a Scottish castle, later revealed to be that of the Duke of Buccleuch, one of Europe’s largest landowners. We slowly watch the camera pan over Rembrandt’s Old Woman Reading, which is hung high above a fireplace in a reading room. … Read the rest

Kim Tschang-Yeul, the influential postwar artist whose groundbreaking water drop paintings heralded new frontiers for abstraction, died on Tuesday at the age of 91. A cause of death was not given. The news of his passing was announced in emails by his two galleries, Tina Kim Gallery and Almine Rech.

Kim’s most well-known paintings, in which droplets of water appear to protrude from monochromatic canvases but are in fact optical illusions, toe a very fine line between abstraction and figuration. These works, begun in the early 1970s, depict various volumes of droplets, ranging from single drops to dozens upon dozens of them. In Kim’s hands, water droplets became entrancing, enlivened elements.

“The act of painting water drops is to dissolve all things within [these], to return to a transparent state of ‘nothingness,’” Kim once said, according to a press release for a 2019 exhibition at Tina Kim Gallery that … Read the rest

Marshall McKay, the first Indigenous board chair of the Autry Museum of the American West in Los Angeles, has died at age 68. The Los Angeles Times reported that the cause of death was complications from Covid-19.

A former chairman of the Yocha Dehe Wintun Nation, McKay, who was of Pomo-Wintun heritage, is known for his role growing the tribe’s land holdings in Yolo County, California, and his work establishing its economic autonomy. He was also a founding member of the nonprofit Native Arts and Cultures Foundation, a member of the International Indigenous Peoples Forum on Climate Change, a board member of the UC Davis Foundation, and a board member of the National Museum of the American Indian in Washington, D.C. McKay also served on the California Native American Heritage Commission.

McKay joined the Autry’s board in 2007 and became chair in 2010, finishing his term in 2016. He … Read the rest

Monday, January 4

Six Philadelphia Cultural Institutions Announce 2021 Reopening Dates
Following temporary closures that have been in effect just before the Thanksgiving holiday, six institutions in Philadelphia have made plans to reopen in 2021. The Franklin Institute will reopen to the public January 6, and the Barnes Foundation, Philadelphia Museum of Art, and Academy of Natural Sciences will reopen January 8. The Pennsylvania Academy of the Fine Arts will reopen January 21, while the historic Eastern State Penitentiary will reopen in March.

Amanda Coulson Departs National Art Gallery of the Bahamas
Amanda Coulson, who has served as executive director of the National Art Gallery of the Bahamas for nine years, will leave her post in May to join Nassau’s new TERN Gallery as founding director. The recently opened enterprise will foreground Bahamian and Caribbean art, and its first exhibition, titled “Inherited Values,” will feature work by … Read the rest

Critic Barbara Rose died on December 25 at age eighty-four. We’re sharing the full text of her 1965 essay “ABC Art,” which identified a common sensibility in experimental dance, film, sculpture, painting, and literature. Rose discussed the downtown New York scene of ’60s and the conditions of the essay’s publication in a 2015 interview marking the text’s fiftieth anniversary. —Eds.

On the eve of the first World War, two artists, one in Moscow, the other in Paris, made decisions which radically altered the course of art history. Today we are feeling the impact of their decisions in an art whose blank, neutral, mechanical impersonality contrasts so violently with the romantic, biographical Abstract Expressionist style which preceded it that spectators are chilled by its apparent lack of feeling or content. Critics, attempting to describe this new sensibility, call it cool art or idiot art or know-nothing nihilism.

That a new sensibility … Read the rest

At first look, Raymond Pettibon’s exhibition “Pacific Ocean Pop” seemed sparse. Though the show contained dozens of recent drawings and collages by the prolific draftsman and satirist, known for layered, enigmatic, and often humorous portmanteaus of text and image—an illustrated checklist ran to twenty-eight pages—Regen Projects’s white box space was left almost entirely open, and the gallery was empty of other visitors due to pandemic protocol. Organized into thematic clusters surrounded by vast expanses of white wall, the works revolved around pop cultural references and motifs that the artist has employed for decades, including golden age comic book superheroes, Major League baseball, the clay animation character Gumby, and film noir. The semiotic open-endedness of the individual drawings was tempered by their arrangement into well-spaced groupings, offering navigable pathways for interpretation.

The thematic core of the installation was the ocean, with large drawings of waves anchoring neighboring clusters … Read the rest

One recent morning in Hong Kong, while in the last hours of his quarantine, the New York–based artist Taro Masushio recounted a visit he made to a vast, little-seen archive of homoerotic photographs by Jun’ichi En’ya, who had worked as a photo-technician in Osaka, Japan. “I had just never seen anything like it,” Masushio said on a video call, as he recalled flipping through hundreds and hundreds of En’ya’s analog prints. “It was this very surreal and visceral experience.”

En’ya distributed his pictures of men clandestinely, and was known as Uncle from Osaka. He had a wife and daughter, and died in 1971, the same year that the first gay men’s magazine became easily accessible in Japan. “When I first got this glimpse of these objects, and this figure behind the objects, I became completely obsessed,” Masushio said. “I wanted to work with this and try to understand what … Read the rest