Hidden Mother: Swaths of Fabric Disguise Figures in Mixed-Media Portraits by Artist Sarah Detweiler

“The Nightowl” (2021), oil, embroidery thread, and yarn on canvas in a wood frame, 28 x 22 inches. All images courtesy of Paradigm Gallery, shared with permission The lengthy exposure times required by 19th Century photography were not conducive to newborns and fidgety toddlers, a problem many mothers tried to […]

“The Nightowl” (2021), oil, embroidery thread, and yarn on canvas in a wood frame, 28 x 22 inches. All images courtesy of Paradigm Gallery, shared with permission

The lengthy exposure times required by 19th Century photography were not conducive to newborns and fidgety toddlers, a problem many mothers tried to remedy by cloaking themselves in fabric and hiding behind furniture. As a result, those Victorian-era portraits, while capturing an endearing stage of life, are often spectral and slightly unnerving, shadowed by phantom limbs and textile silhouettes that closely resemble an inanimate backdrop despite their lively features.

This desire for disguise informs the multi-media works of Philadelphia-area artist Sarah Detweiler, whose ongoing series Hidden Mother is on view at Paradigm Gallery through May 22. Depicted without children, Detweiler’s portraits subvert the original photographs to instead draw attention to the figures otherwise purposely relegated to the background. Fabrics rendered with a combination of oil, acrylic, gouache, watercolor, and embroidered elements further confront traditional notions of femininity and motherhood by literally cloaking the women in materials long associated with domesticity.

Because the artist has a personal relationship with each subject, the textiles, motifs, and colors all evoke specific aspects of their personalities and distinct experiences, resulting in idiosyncratic portraits tethered only by their shared identity. “In maintaining the anonymity,” a statement about the series says, Detweiler “preserves a universal relatability—the woman under the shroud could be you, your mother, your friend.”

If you’re not in Philadelphia, you can take a virtual tour of the sold-out exhibition, and watch this Q&A with Detweiler for a deeper dive into the series, which is available as a limited-edition print set on Paradigm’s site. Head to Instagram to see more of the artist’s process, including some of the original photographs that informed the portraits shown here.

 

“Hide and Seek” (2021), acrylic and embroidery thread on canvas with a wood frame, 20 x 16 inches

Detail of “The Nightowl” (2021), oil, embroidery thread, and yarn on canvas in a wood frame, 28 x 22 inches

Left: “The Hidden (Creative Rainbow) Mother” (2020), oil and embroidery thread on canvas, 18 x 24 inches: Right: “Tutus and Kitties and Pink, Oh My!” (2021), oil, acrylic, and embroidery thread on canvas in a wood frame, 24 x 18 inches

“Ghosts of Mothers Past” (2021), oil, acrylic, embroidery thread on beveled edge canvas, 20 inches in diameter

“If You Love Something, Set It Free” (2021), oil, embroidery thread on canvas in a wood frame, 12 x 12 inches

“She’s in There Somewhere” (2021), oil and embroidery thread on canvas, 12 inches in diameter

“Life of the Party,” oil on oval canvas with a beveled edge, 16 x 20 inches

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