Met Hires Patricia Marroquin Norby as Its First Full-Time Native American Art Curator, Signaling ‘Significant Evolution’

For the first time in its 150-year history, the Metropolitan Museum of Art in New York has hired a full-time Native American art curator. Staring on September 14, Patricia Marroquin Norby (Purépecha) will be the Met’s inaugural associate curator of Native American art. She will work in the museum’s famed American Wing and report to … Continue reading “Met Hires Patricia Marroquin Norby as Its First Full-Time Native American Art Curator, Signaling ‘Significant Evolution’”

For the first time in its 150-year history, the Metropolitan Museum of Art in New York has hired a full-time Native American art curator. Staring on September 14, Patricia Marroquin Norby (Purépecha) will be the Met’s inaugural associate curator of Native American art. She will work in the museum’s famed American Wing and report to Sylvia Yount, who oversees the presentations put on in that department of the Met.

Norby has previously served as senior executive and assistant director of the Smithsonian’s National Museum of the American Indian-New York. She has also been the director of the D’Arcy McNickle Center for American Indian and Indigenous Studies at the Newberry, a research library in Chicago, and written scholarship on self-representation in Indigenous art.

“Historical and contemporary Native American art embodies and confronts the environmental, religious, and economic disruptions that Indigenous communities have so powerfully negotiated—and still negotiate—through a balance of beauty, tradition, and innovation,” Norby said in a statement. “I am deeply honored to join with American Indian and Indigenous artists and communities in advancing our diverse experiences and voices in The Met’s exhibitions, collections, and programs. This is a time of significant evolution for the museum.”

The news comes as the Met works to incorporate the art and voices of Indigenous artists in its presentations. Last winter, Cree artist Kent Monkman debuted two newly commissioned paintings riffing on Emanuel Leutze’s Washington Crossing the Delaware (1851) in the museum’s Great Hall, marking a grand showcase for an Indigenous artist that has historically been rare in major New York institutions. Meanwhile, in 2018, the Met staged the exhibition “Art of Native America: The Charles and Valerie Diker Collection,” which featured 100 promised gifts and loans.

Not all of these efforts have been without controversy, however. When “Art of Native America” opened, the Association on American Indian Affairs, a prominent advocacy group, decried the show, alleging that the museum had not adequately consulted with tribal representatives in advance of the exhibition. The Met denied this claim.

In her new position, Norby will work to facilitate long-term relationships between Indigenous communities and the museum and focus on creating what she called “meaningful systematic change.”

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